An Element of Art Defined by a Point Moving in Space Is

The elements of fine art are components or parts of a work of art that can exist isolated and defined. They are the building blocks used to create a piece of work of art.

The list below describes each chemical element of art. Larn most the principles of blueprint hither.

Download a student handout containing a list of the elements of fine art and their definitions. (PDF, 168KB)

Line

A line is an identifiable path created past a indicate moving in space. It is one-dimensional and tin vary in width, direction, and length. Lines often define the edges of a form. Lines can be horizontal, vertical, or diagonal, straight or curved, thick or sparse. They atomic number 82 your eye around the composition and tin can communicate information through their character and direction.

Horizontal lines advise a feeling of rest or repose because objects parallel to the globe are at rest. In this landscape, horizontal lines also help requite a sense of infinite. The lines delineate sections of the landscape, which recede into space. They likewise imply continuation of the landscape beyond the moving picture aeroplane to the left and right.

Vertical lines often communicate a sense of summit because they are perpendicular to the earth, extending upward toward the sky. In this church interior, vertical lines suggest spirituality, ascension beyond human reach toward the heavens.

Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with 90-degree angles are structurally stable. This stability suggests permanence and reliability.

Diagonal lines convey a feeling of motility. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either about to fall or are already in motion. The angles of the transport and the rocks on the shore convey a feeling of movement or speed in this stormy harbor scene.

The curve of a line tin convey energy. Soft, shallow curves recall the curves of the human being torso and oft have a pleasing, sensual quality and a softening effect on the limerick. The edge of the pool in this photograph gently leads the eye to the sculptures on the horizon.

Shape and form

Shape and grade define objects in space. Shapes accept two dimensions–height and width–and are usually defined by lines. Forms exist in three dimensions, with height, width, and depth.

Shape has only height and width. Shape is usually, though non always, defined by line, which can provide its contour. In this image, rectangles and ovals dominate the composition. They depict the architectural details for an illusionist ceiling fresco.

Form has depth as well as width and height. Three-dimensional form is the basis of sculpture, furniture, and decorative arts. 3-dimensional forms tin can be seen from more than one side, such every bit this sculpture of a rearing equus caballus.

Geometric shapes and forms include mathematical, named shapes such as squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are often man-fabricated. Yet, many natural forms besides have geometric shapes. This cabinet is decorated with designs of geometric shapes.

Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are oft found in nature, merely man-fabricated shapes can likewise imitate organic forms. This wreath uses organic forms to simulate leaves and berries.

Infinite

Real space is three-dimensional. Space in a work of art refers to a feeling of depth or three dimensions. Information technology tin can likewise refer to the artist'south use of the area inside the picture plane. The surface area around the primary objects in a piece of work of art is known as negative space, while the space occupied by the primary objects is known as positive infinite.

Positive and negative infinite
The human relationship of positive to negative space tin profoundly affect the bear on of a work of art. In this drawing, the man and his shadow occupy the positive infinite, while the white space surrounding him is the negative space. The disproportionate amount of negative infinite accentuates the figure's vulnerability and isolation.

Three-dimensional infinite
The perfect illusion of iii-dimensional infinite in a 2-dimensional work of art is something that many artists, such as Pieter Saenredam, labored to achieve. The illusion of space is achieved through perspective cartoon techniques and shading.

Colour

Light reflected off objects. Color has three main characteristics: hue (ruby-red, green, blue, etc.), value (how lite or dark it is), and intensity (how brilliant or ho-hum it is). Colors tin can be described as warm (red, xanthous) or cool (blue, gray), depending on which end of the color spectrum they fall.

Value describes the effulgence of color. Artists use color value to create different moods. Dark colors in a composition suggest a lack of calorie-free, as in a nighttime or interior scene. Dark colors can often convey a sense of mystery or foreboding.

Lite colors ofttimes describe a light source or lite reflected within the limerick. In this painting, the night colors advise a night or interior scene. The artist used light colors to describe the low-cal created by the candle flame.

Intensity describes the purity or strength of a color. Bright colors are undiluted and are ofttimes associated with positive energy and heightened emotions. Slow colors have been diluted by mixing with other colors and create a sedate or serious mood. In this image the creative person captured both the seriousness and the joy of the scene with the dull gray stone interior and the bright blood-red drapery.

Texture

The surface quality of an object that nosotros sense through touch. All objects have a physical texture. Artists can besides convey texture visually in 2 dimensions.

In a two-dimensional piece of work of fine art, texture gives a visual sense of how an object depicted would experience in real life if touched: hard, soft, rough, polish, hairy, leathery, sharp, etc. In 3-dimensional works, artists use actual texture to add a tactile quality to the work.

Texture depicted in two-dimensions
Artists utilise colour, line, and shading to imply textures. In this painting, the man's robe is painted to simulate silk. The ability to assuredly portray fabric of different types was one of the marks of a bully painter during the 17th century.

Surface texture
The surface of this writing desk is metallic and hard. The hard surface is functional for an object that would have been used for writing. The polish surface of the writing desk reflects lite, calculation sparkle to this slice of article of furniture.

kirkseyhumne1959.blogspot.com

Source: https://www.getty.edu/education/teachers/building_lessons/formal_analysis.html

Share this post